Iconography Index
Black-and-white photos (front, back & side): How Many Strads?, Ernest N. Doring, William Lewis & Son, Chicago, 1945.
Order
Black-and-white photos (front, back & side): The Collection of John Hudson Bennett Catalog, February 5, 1932, New York, 1932.
Black-and-white photos (front, back & side): Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, New York, 1972.
Notes
- According to legend, a mob storming a chateau wanted to destroy the Strad because it was a symbol of aristocracy. A young Corporal tried to save the Strad by grabbing it an running away. He was caught and guillotined, but the violin survived.
- Antonio Stradivari and His Instruments, William Henley, Amati Publishing, Ltd., Sussex, 1961.
Provenance
Current owner
Indicates that the owner is or was also a musician
Players
Current player
Indicates that the musician is or was also an owner of one or more instruments
Certificates
Certificate: Rudolph Wurlitzer Co., New York
Certificate: W. E. Hill & Sons, London
References
Antonio Stradivari and His Instruments, William Henley, Amati Publishing, Ltd., Sussex, 1961.
How Many Strads?, Ernest N. Doring, William Lewis & Son, Chicago, 1945.
Order
The Collection of John Hudson Bennett Catalog, February 5, 1932, New York, 1932.
The Stradivari Memorial (1977), William Dana Orcutt, Da Capo Press, New York, 1977.
Violin Iconography of Antonio Stradivari 1644-1737, Herbert K. Goodkind, Larchmont, New York, 1972.
Order
"How Many Strads? - Supplemental", Violins & Violinists, October-November, 1947, 1947.
http://www.scena.org/lsm/sm10-4/Violon-passion-succes-en.htm